About: Création romanesque et mutations sociales au Sénégal, 1973-1983   Goto Sponge  NotDistinct  Permalink

An Entity of Type : rdac:C10001, within Data Space : data.idref.fr associated with source document(s)

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  • Thèses et écrits académiques
  • Roman sénégalais de langue française -- 20e siècle
  • Changement social -- Dans la littérature
  • Changement social -- Sénégal
  • Réalisme (mouvement littéraire) -- Sénégal
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  • Création romanesque et mutations sociales au Sénégal, 1973-1983
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  • Création romanesque et mutations sociales au Sénégal, 1973-1983
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  • LE ROMAN SENEGALAIS DE LANGUE FRANCAISE, NE PENDANT LA PERIODE COLONIALE, EST RESTE LARGEMENT TRIBUTAIRE DE CE CONTEXTE. FORTEMENT INFLUENCEE PAR LES IDEES ASSIMILATIONNISTES, L'ECRITURE DE LA PREMIERE GENERATION DE ROMANCIERS (ANNEES 20-30), SE REVELE PLUTOT CONFORMISTE. \"FORCE BONTE\" DE BAKARY DIALLO EN CONSTITUE LE PROTOTYPE. LA DEUXIEME GUERRE MONDIALE, LES RESISTANCES ANTI-COLONIALES DANS CERTAINS PAYS D'AFRIQUE ET D'ASIE, LES MOUVEMENTS CULTURELS DE LA RENAISSANCE NEGRE, CONTRIBUERENT A LA NAISSANCE D'UNE DEUXIEME GENERATION D'ECRIVAINS, VERS LES ANNEES 1950. CELLE-CI S'AFFIRMA EN PRENANT SES DISTANCES PAR RAPPORT A LA MYSTIFICATION COLONIALE, A TRAVERS UNE ECRITURE MILITANTE. LEUR CHEF DE FILE EST OUSMANE SEMBENE. L'EVOLUTION DU CONTEXTE HISTORIQUE EN 1960, VA IMPULSER UNE NOUVELLE DYNAMIQUE A LA CREATION ROMANESQUE. A COTE D'UNE THEMATIQUE ENCORE AXEE SUR LA NEGRITUDE, SE DEVELOPPE UNE NOUVELLE THEMATIQUE ORIENTEE VERS LA CRITIQUE POLITIQUE ET SOCIAL, CAR LES PROMESSES DE L'INDEPENDANCE SE SONT EVANOUIES COMME UN MIRAGE. CE CHANGEMENT DE PERSPECTIVE S'ACCOMPAGNE D'UNE \"MUTATION DU REALISME\". TANDIS QU'OUSMANE SEMBENE CONTINUE LA TRADITION DU \"REALISME SOCIAL\", LES FEMMES ROMANCIERES (QUI INVESTISSENT LE MONDE DES LETTRES A PARTIR
  • THE SENEGALESE NOVEL, WRITTEN IN THE FRENCH LANGUAGE, CAME INTO BEING DURING THE COLONIAL ERA AND, TO A GREAT EXTENT, IS CONDITIONED BY THIS CONTEXT. THE WRITINGS OF THE FIRST GENERATION OF NOVELS (1920-1930) WHICH WERE LARGELY INFLUENCED BY THE ASSIMILATIONIST IDEAS, HAVE PROVEN TO CLOSELY ADHERE TO THAT MOVEMENT. \"FORCE BONTE\" BY BAKARY DIALLO CAN BE CONSIDERED AS ITS PROTOTYPE. DURING THE SECOND WORLD WAR, THE ANTI-COLONIALIST MOVEMENTS IN CERTAIN COUNTRIES OF AFRICA AND ASIA, THE NEGRO RENAISSANCE PROCLAIMED IN THE CULTURAL MOVEMENTS, CONTRIBUTED TO THE BIRTH OF A SECOND GENERATION OF WRITERS TOWARDS THE 1950'S. THIS GENERATION WAS ABLE TO ASSERT ITSELF BY BREAKING AWAY FROM THE COLONIAL MYSTIFICATION AND BY A MILITANT STYLE OF WRITING THE LEADER OF THIS MOVEMENT IS OUSMANE SEMBENE. THE EVOLUTION OF THE HISTORICAL CONTEXT IN 1960 WAS TO INSTILL A NEW DYNAMISM IN CREATIVE WRITING. ALONG WITH A THEMATIC STILL BASED ON \"NEGRITUDE\", A NEW THEMATIC DEVELOPED, ORIENTED TO POLITICAL AND SOCIAL CRITICISM, SINCE THE PROMESSES OF INDEPENDANCE SOON VANISHED LIKE A MIRAGE. THIS CHANGE IN PERSPECTIVE IS ACCOMPANIED BY A \"MUTATION OF REALISM\". WHILE OUSMANE SEMBENE PURSUES THE TRADITION OF \"SOCIAL REA
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http://iflastandar...bd/elements/P1001
rdaw:P10219
  • 1987
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