| Attributes | Values |
|---|
| type
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| Author
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| dc:subject
| - Catalogues d'exposition
- Exotisme -- Dans l'art
- Architecture -- Europe
- Architecture -- United States
- Architecture, Islamic -- Europe
- Constructions pour expositions -- Europe -- 1789-1900
- Architecture islamique -- États-Unis -- 19e siècle
- Constructions pour expositions -- Europe -- 19e siècle
- Architecture islamique -- Europe -- 1789-1900
- Architecture islamique -- Europe -- 19e siècle
- Architecture ottomane -- 19e siècle
- Architecture, Islamic -- United States
- Exoticism in architecture -- Europe
- Exoticism in architecture -- United States
- Expositions internationales -- 19e siècle
- Constructions pour expositions -- États-Unis -- 19e siècle
- Exhibition buildings -- Europe -- History -- 19th century
- Exhibition buildings -- United States -- History -- 19th century
|
| preferred label
| - Displaying the orient, architecture of Islam at nineteenth-century word's fairs
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| Language
| |
| Subject
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| dc:title
| - Displaying the orient, architecture of Islam at nineteenth-century word's fairs
|
| note
| - \"Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.\" Résumé éditorial
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| dc:type
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| http://iflastandar...bd/elements/P1001
| |
| rdaw:P10219
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| has content type
| |
| Temporal Coverage
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| Spatial Coverage
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| is primary topic
of | |
| is rdam:P30135
of | |
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