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| - Poésies
- Poetical (The) Works of John Keats
- Poetry manuscripts at Harvard, a facsimile edition
- The complete poems of A. R. Ammons
- Keats, John, 1795-1821. Poetical works of John Keats.
- Stikhotvorenii︠a︡, \"Lamii︠a︡\", \"Izabella\", \"Kanun sv. Agnesy\" i drugie stikhi
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| dc:subject
| - Poésie anglaise
- Keats, John (1795-1821)
- American poetry -- 20th century
- Poésie anglaise -- 19e siècle
- American poetry -- 21st century
- Authors, English -- 19th century -- Correspondence
- Keats, John (1795-1821) -- Correspondence
- Hougthon library (Cambridge, Mass.) -- manuscrits -- fac-similés
- Keats, John (1795-1821) -- Poésie
- Keats, John, 1795-1821. Poems
- English poetry -- 19th century -- Translations into Russian
- Keats, John (1795-1821) -- Fac-similés de manuscrits
- Keats, John (1795-1821) -- Translations into Russian
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| note
| - \"A.R. Ammons produced some of the twentieth century's most innovative and enduring poetry, collected here for the first time in its entirety. Volume I follows Ammons's development through his National Book Award-winning Collected Poems 1951-1971 and his daring work of the 1970s.\" [Présentation de l'éditeur]
- \"'So I said I am Ezra / and the wind whipped my throat / gaming for the sounds of my voice....' So begins one of the most remarkable oeuvres in the history of American poetry. The Complete Poems of A. R. Ammons, Volume I presents the first half of Archie Randolph Ammons's long career, including the complete texts of his three book-length poems from that period: the verse diary Tape for the Turn of the Year, the Bollingen Prize-winning Sphere: The Form of a Motion, and the daring kaleidoscope of The Snow Poems, which late in life Ammons said of all his long poems was his favorite. Here are many of Ammons's most widely celebrated lyrics and meditations, including 'Corsons Inlet,' 'Still,' 'Gravelly Run,' and 'The City Limits.' Others are more directly inspired by his roots in the rural South, among them 'Nelly Myers,' 'Silver,' and 'Mule Song.' Here too are conversations with mountains (as in 'Classic' and 'Mountain Talk') and exchanges with the wind ('The Wide Land' and 'Mansion'), materialist explanations of reality ('Mechanism' and 'Catalyst') and prayers (such as the several poems titled 'Hymn'). A poet drawn to theorizing about poetry, Ammons offers both sophisticated discussions of the art (as in 'Poetics' and 'Essay on Poetics') and disarming assurance: 'I believe in fun.' The text of each poem has been established after careful consideration of Ammons's manuscripts and other prepublication materials. Endnotes detail the poems' composition and publication histories, and also helpfully annotate references made within the poems. This volume confirms Richard Howard's judgment: 'Here was a great poet, surely one of the largest to speak among us'.\" [Jaquette]
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